Thursday, November 29, 2012

Leaf






Hello! It's good to be back in the Dark Wood after such a break. I wanted to show you this beautiful eucalyptus gum leaf which I picked up on the weekend, while walking here:

http://parkweb.vic.gov.au/explore/parks/wattle-park

The reds were brighter on Sunday (so much so that my husband said "Has someone painted that leaf?") but I think it looks quite lovely now as it fades, so much like nature all around us right now, as we all prepare for the coming summer heat.

Friday, September 28, 2012

On Freya's Day



Image of Freya from http://paganpages.org/content/tag/freya/


Freya is the great Norse Goddess. She is stunningly beautiful with long, flowing hair and her magickal golden necklace, called Brisingamen, glitters around her neck. She is the Goddess of love, sex and fertility. She is the Goddess of witchcraft.  She is the Goddess of death. She is one of the Vanir, the oldest deities of the Scandinavian people. 

Freya is the goddess of all of life. She is called upon to ensure a good harvest, and apples are often left outside for her as an offering. She is the Goddess of love, sex, passion and fertility. Her long, wavy hair is radiantly blonde, she cries tears of gold and her magickal necklace is made of beautiful golden amber, a gift of the Earth. When she wears her necklace, she is irresistible to all men who look at her. She is the Goddess of good fortune.

Freya is the Goddess of the Seidr—the witchcraft practiced almost solely by women and for which Odin, the great Norse God, risked his life to understand. The Seidr-workers walk between the worlds. Freya is the Goddess of the Valkyries (the powerful Norse war maidens) and of death. Half of those who die in battle are chosen by Freya to be reunited with their loved ones in the afterworld. She also received the souls of unmarried women. Freya watches over them all on their otherworldly journeys. 

Freya moves with a fierce passion and she brings both light and dark.

So, how can you bring Freya, this wonderful, powerful Goddess, into your life? 

Colours~
Freya's colors are:
·         Red for love and passion
·         Black for protection
·         Silver for the Goddess
·         Gold for good fortune
·         Green for growth

Essential oils and perfumes~
Freya’s scents are:
·         Rose
·         Sandalwood
·         Mint
·         Sweet florals 

Freya’s Day~
Freya’s day is Friday.

Symbols~
Freya’s symbols include the number 13, gold jewellery, the Full Moon and the sword. 

Animal associations~
·         Cats
·         Horses
·         Boars
·         falcons

Stones & Crystals~
Freya's stones and metals include amber, tiger’s eye, emerald, jade, moonstone and silver.

Herbal and Floral associations~
·         Elder
·         Cowslip
·         Primrose
·         Daisy

Runes~
Naturally, Freya is associated with the ancient and magickal Norse alphabet—the Runes.  She is especially associated with the first eight Runes of the Elder Futhark.

Spellwork~
For those looking for creative inspiration in writing, painting or other artistic endeavors, Freya is the Goddess to call upon. She can also be sought for matters of love, beauty and wisdom. Freya can be approached as a spiritual sage and for issues of divination, connecting with ancestral spirits and the magickal arts.

And, most of all, live life’s cycle with passion and joy!

Sources:
Freya Aswynn, Northern Mysteries and Magick: Runes and Feminine Powers, Llewellyn Publications.
Sheena McGrath, Asyniur—Women’s Mysteries in the Northern Tradition, Capall Bann Publishing.

Thursday, September 27, 2012

Snippets

After reading Rob Young's Electric Eden: Unearthing Britain's Visionary Music, I've been listening to lots of 60s and 70s folk lately but I keep returning to my favourites (even though they're not British) - Joni Mitchell and Judy Collins. The version of "Both Sides Now" below is a later and quite different version to the original but it's so beautiful, don't you think? Maybe you remember it from that heartbreaking scene in Love Actually when Emma Thompson's character discovers her husband has been unfaithful...



This one is more classic 70s Joni. Love it!



On a completely unrelated topic, does anyone remember the Dorrie books by Patricia Coombs? I read them avidly when I was little and I hadn't thought of them for years until recently. Such beautiful illustrations!



Images of Dorrie from http://www.vintagechildrensbooksmykidloves.com/2011/06/guest-post-dorrie-books.html

And now for something that would have scared both Dorrie and (little) me to death - True Blood. We've been watching it almost every night. I've read three of the Charlaine Harris Sookie Stackhouse books and I've recently discovered that our local library has the True Blood DVDs on their catalogue. Only problem with that is that we have a very limited time to watch a lot of episodes! Have you watched it? Have you read the books? It takes a bit of getting used to sex-and-gore wise but it is entertaining! Hmmm, that sentence came out kind of wrong...

Wednesday, September 26, 2012

Down at the bottom of the garden

Faeries by Brian Froud

I have been spending more and more time in the garden now that Spring has at last arrived. Our backyard in particular is a magical place, which I deliberately leave a little overgrown. It was once my grandmother's pride-and-joy - she was a wonderful gardener and it is the bulbs and shrubs she planted that continue to flower the most. It's lovely, because it's like she comes back to visit every Spring. The garden also has lots of lovely nooks and crannies  making perfect homes and hiding spots for elves and faeries.
Light elves are extremely beautiful creatures. They have been described as ‘fairer to look on than the sun’. They are a part of many European pagan belief systems and so they have come to be known to us here in Australia. In Holland, they are called Alven. In Ireland, they are Sidhe or Faeries. In Iceland, they are Fylgiar. In Sweden and Denmark, they are Ellefolk.  In other parts of Northern Europe, there are the White Ladies and the Liosalfar.  In French forests, there are the Dames Vertes. Throughout Europe, there is also the Will O’ The Wisp. They are all considered guardian angels, walking alongside human beings as mediums between us and the natural world. They can move easily through the four elements, travelling on sunbeams or floating down a river in a bubble. 


Faeries and Elves by Arthur Rackham

The Light Elves represent nature and fertility. They have great magical powers—transforming flowers and stones into precious amulets, aiding women in childbirth, acting as guardian angels to us throughout our lives, foretelling the future and controlling the natural elements. They have also been known to inspire artistic and musical endeavours. But remember, with all of these powers, they can help or hinder humans. They must be treated with great respect.

They often prefer to come out at night, and since they are so strongly attached to nature, they like to do things such as watering their favourite plants in preparation for the coming day. Humans should take care as to how they deal with the natural environment. Light elves and faeries will punish those who do not respect Mother Earth. They are especially active around water.

Faeries by Linda Ravenscroft

You can attract light elves and faeries to your garden and home in a number of different ways. First of all, they must have a sense that you believe in them, since so many humans claim not to and the faeries then stay out of sight. They really appreciate a small offering left for them in the garden, to show that you do believe and that you are friendly. Something to eat perhaps (honey is a favourite), something to drink (they love a little beer!) or something shiny (they love copper but do not give them iron and glitter is another favourite). Keep part of your garden a little over-grown too—faeries love a little bit of wilderness to wander in! Garden statues of faeries will attract them too. Faeries love music, so the gentle tinkling of wind chimes in a tree will draw them in.

Be sure to make it clear to the Universe that you are only hoping to attract good faeries. Dark elves can be malicious, mischevious and difficult. 

Sources:
Nancy Arrowsmith, A Field Guide to the Little People, Macmillan.
Lucy Cavendish, White Magic, Hay House.

Tuesday, September 25, 2012

Ostara Apple Cake

With Spring Equinox on the weekend just passed, and Ostara magic well and truly in the air, I have been enjoying nature's gifts and baking fruity cakes! Friday I made a plum and spice cake which was hastily devoured and yesterday I made an apple cake, as you can see above. I took the recipe from a great recipe card collection from the 60s which belonged to my mother. This is Applekaka - a Swedish style apple cake. It is supposed to be served with vanilla sauce but I went the cakey rather than desserty route. It is so easy!

I peeled, cubed and boiled 5 apples and crushed one-and-a-half packets of milk arrowroot biscuits. I mixed melted butter in with the biscuits (enough so that you can squash the biscuits together in your cake tin as a sort of crust) and then I layered one layer of biscuits and then one layer of apple. Then I repeated these two layers. I baked it at 180 degrees celsius for about 50 minutes.

I think it would work well with a little mixed spice in with the apples. Any sort of apple is fine and any sort of plain biscuit too.

Happy Ostara (or Mabon to my Northern friends)! 

Monday, September 24, 2012

Isis



Image from http://www.etsy.com/listing/93485782/isis-original-watercolor-painting?ga_search_query=isis

For a long time, I felt that 'my' pantheon was definitely the Norse goddesses and gods but lately I have become very interested in all of the other faces of the Goddess. When I was a child, I was fascinated by Ancient Egypt and after I saw this wonderful drawing of Isis by Arden Ellen Nixon (http://www.ardenellennixon.com/), that fascination has come back. I have been going a little crazy on the online shopping lately, but I couldn't resist buying a card and a tile with this image on it!

Wednesday, February 29, 2012

Talking to Artists 1: JG O'Donoghue

Above: JG O’Donoghue, Mid-Late Iron Age Gael
This is the first in a new series here at In a Dark Wood. There is a lot of fantastic art being lovingly crafted all over the world celebrating ancient myths, ancient civilsations and ancient handicrafts and traditions and the Internet has become a fantastic forum for that art. I plan to speak to a number of these artists, to ask them about what they do, and how and why they do it.
Recently I had the great pleasure and privilege of discovering the artwork of JG O’Donoghue on Etsy. JG’s beautifully wrought works evoke, as he himself says, “wider issues of Irish existence and identity, such as language, history, typography and archaeology.” In short, “What once was, fascinates me” and to us here in the Dark Wood, that says it all.
1. What inspires you about the past?
What inspires me is the different ways of being and living than we have now, they weren’t inferior to us, or less sophisticated, in some ways they would be superior to us. Another reason is the past’s huge influence on our daily lives, the way it tells us who we are culturally, nationalistically, linguistically, even spiritually. Even for those who don’t care much for history, they live their lives according to past philosophies, they watch movies and read books that tell stories informed by history, listen to music tempered and morphed by historical events, how they talk, what they talk are influenced by the past, they enter historical buildings, walk down ancient streets, there is no avoiding the past, it is everywhere but often subtle, underneath, in many ways you could say there is no such thing as past, as it is always there in the present.




Above: JG O’Donoghue, Ogham Tree - Eadhadh
2. What inspires you about the standing stones, which seem to be a big feature of your work?
One is the locations, their builders had a great eye for picking the right spot, beautiful vistas usually surround them, there is something spiritual there, even for the unreligious, that still impresses to this day. I’m influenced by the place I live too, as Cork and Kerry are one of the most important areas in Europe for later megalithic monuments, it was this region that was the main source of Copper for Bronze age Ireland and Ireland as a whole has the second largest amount of megalithic monuments in Europe, second only to France.
It inspires me also the way the megalithic builders approached religion differently too, or at least how I see it, christianity and modern western culture puts people first, it alters the landscape and world to fit our needs, at the cost of everything else, while the megalithic builders used what was there as their cathedral. The fundamentals of their religion seem to be the focus on the earth and the sky, the former with the stones, and the latter with the various alignments and a combination of the two, connecting the heavens to the world below. But we still have to imagine the finer details of their religion, it is a great mystery, an echo of what they believed might be in early Irish mythology which suggests these places are seen as liminal, places of transition, a threshold from one point of existence to another, from our world to the spirit world.
3. Can you tell me about your depiction of the Irish language as connected to trees and the sea?
What better way to describe a language and to show its connection to the land around it, than the ancient forests of Ireland, mostly gone now, replaced by new man made landscapes, or an Island which stands for thousands of years but is slowly worn away by the tide. These are reflected in the Irish language, that is as native to this land as those trees, as old if not older, but as endangered and as diminished. Irish is the third oldest written language, after Latin and Greek, in Europe, and as a verbal language may even be older than both of those languages, it has been through attempted extermination, horrible conflicts and inflictions and yet it still lives.
I suppose some would say what does a local issue like the survival of the Irish language have to do with them, but I believe in the local you get the global, the national is the international. In this example, 98% of the world’s languages are spoken by 1 or 2% of the world’s population, the shrinking of linguistic diversity is an international issue. After saying all that the underlining message in my illustrations is a positive one, the sun is rising for a new day as the Irish language I believe can make a comeback, and this is exactly what is happening all over the country, and being done by far more dedicated and better people than myself.
4. Can you tell me more about Islander Art?
Islander art is a collective of artists that I co-founded, we essentially run an online interactive gallery. We are from the islands of Ireland and Britain because of this we are mostly an online collective, centred around a blog, where each member has their own day of the week they post their work on each week. Islander Art provides us all, I think, with certain things that we lack in our professions, one is a community to belong to; as the name of the group suggests, illustration and art are lonely professions so islanders creates a community where we get to interact, network, get feedback, encouragement, and critique from our peers. As we do this we promote ourselves individually as well as a group, from online social media to real world exhibitions, this all allows us to gain new ways of connecting with the wider world too.



Above: JG O’Donoghue, Cullaun standing stone
Above: JG O’Donoghue, Raheen-a-Cluig
5. Do you plan to do more with the 3-D comic on your website?
The 3D comic was a project I did for my masters, it took me over a year, with the writing of it and the production and all the rest. It hadn’t been done before, well not that I know of, so it was an uphill struggle without knowing where it would end up and no people to point you in the right way. So I tried it out, but unfortunately I found that 3D is wholly unsuitable and too work intensive for comics, well it is in its present form I think, but in the end I learned a lot from it but I have no plans to continue it or use it in the future.

Above: JG O’Donoghue, “Ardrah Stone Row”
6. What attracted you to the Ogham trees?
I love trees, I find them to be beautiful in their own right with complex shapes and bends, and each tree an individual and unique. If you notice nearly every European culture has a tree central to its beliefs, for instance the world tree that created all life in Indo-European cultures like Germanic, Celtic and Latin. Even nowadays it is central to the most important holiday of the western world, Christmas. Another attraction was Ogham itself, which is Ireland's first form of writing, judged to be between 1,600 to 2,000 years old, and the most unique aspect of it is that each letter was named after a tree. This idea shows the importance Trees held for the early Irish, each tribe or tuatha in Ireland had its own sacred tree, this was also where the kings of the tuatha were inaugurated, and this tree symbolised the world tree as well as the clans’ security and integrity.
Each tree has a lot of stories or meaning, like for instance Oak has played a major role in Celtic culture, the word most associated with Celts, "druid" comes from the Proto-Indo-European root dru, meaning "oak", the Irish word for oak "dair" comes from this root. Another is Aspen which is called Crann Creathach in modern Irish (Crann meaning tree, Creathach meaning to quiver, vibrate or shake), and in Ogham it’s called Eadhadh, which comes from ed uath, meaning horrible grief/terror, both are fitting as the loose toothed leaves of the tree tremble with the slightest breeze, this can often make a spooky rustling sound, appearing out of nowhere in a calm day as if whispering. I feel knowing the name of trees, their story and properties makes them come alive in a whole new way, knowing trees opens a world to you as does reading and writing, knowing both makes your life that much more fuller.



Above: JG O’Donoghue, “The Irish Language Forest/An Coill Teanga Gaeilge”
Thank you so much JG for sharing your wonderful art and ideas with us.
You can find JG online at :

Or contact him at:
info[at]jgodonoghue.com
Please note that all images are protected by copyright and remain the property of JG O’Donoghue.

Tuesday, February 28, 2012

Wandering

Sorry for falling a little bit quiet in this corner of the Woods for a day or two. I was a-roaming elsewhere last week and this week I have very cleverly managed to develop a chest infection so, as we say here in Australia, I am currently not feeling too flash.

Nevertheless, I have goodies a-plenty planned for the shop which I am busily working on, inspired as I have been by a great slew of craft books I bought while I was away. More on that shortly.

In the meanwhile, here is a gorgeous music clip I have just discovered by Bon Iver. I am blown away by the beauty of the location - Iceland - and I would so love to be that little boy, wandering wherever my whim took me in such a magical place. Enjoy!


Tuesday, February 14, 2012

as if he were an idea instead of the grass

Image from http://www.animalcorner.co.uk/britishwildlife/redfox.html

Straight Talk From Fox
by Mary Oliver
Listen says fox it is music to run
over the hills to lick
dew from the leaves to nose along
the edges of the ponds to smell the fat
ducks in their bright feathers but
far out, safe in their rafts of
sleep. It is like
music to visit the orchard, to find
the vole sucking the sweet of the apple, or the
rabbit with his fast-beating heart. Death itself
is a music. Nobody has ever come close to
writing it down, awake or in a dream. It cannot
be told. It is flesh and bones
changing shape and with good cause, mercy
is a little child beside such an invention. It is
music to wander the black back roads
outside of town no one awake or wondering
if anything miraculous is ever going to
happen, totally dumb to the fact of every
moment's miracle. Don't think I haven't
peeked into windows. I see you in all your seasons
making love, arguing, talking about God
as if he were an idea instead of the grass,
instead of the stars, the rabbit caught
in one good teeth-whacking hit and brought
home to the den. What I am, and I know it, is
responsible, joyful, thankful. I would not
give my life for a thousand of yours.


This is a beautiful poem by the wonderful American poet, Mary Oliver. I found a copy of it on my desk in amongst some papers yesterday, and wanted to share it with you today.

Monday, February 13, 2012

Home Sweet Home

This is a modern reconstruction of a Crannog at Loch Tay in Scotland.
Image from Wikipedia.


I was glued to Neil Oliver's A History of Celtic Britain last night - first for the segments on art, decoration and jewellery, and then for the amazing Crannog structures in Scotland. I had never heard of them before but they were - to my layperson's understanding! - essentially long houses built on raised stump foundations above water. They look beautiful. When Neil Oliver and another academic talking head were gathered around the fire and the cooking pot in a Crannog, I wanted to climb right into the TV set!

Image from http://structuralarchaeology.blogspot.com.au/ (which looks like a really interesting site - I've just discovered it!)

Thursday, February 9, 2012

Viking Cat is not Happy

Grrrrr...

Image from strangehistory.net

I am having huge problems with Blogger at the moment. On this blog and some that I visit, I can't leave (or reply to!) comments. The 'comments' page just disappears. Can anyone shed any light on this? Thanks.

Tuesday, February 7, 2012

Sko

Image from http://www.instructables.com/id/Viking-shoes/

I am in love with these shoes. They are based on shoes worn during the Viking period and... I.want.some. I have found instructions online for how to make them (http://www.instructables.com/id/Viking-shoes/) but for someone who is only just starting to come to terms with their sewing machine, the idea of making my own shoes kind of freaks me out a little. On the other hand, it would be a great achievement to make my own shoes and also they do look relatively (deceptively?) easy - kind of like an elongated version of a suede coin pouch I bought while I was in Germany last year. There is always the coward's way out, of course...I've found an equally lovely pair on Etsy (http://www.etsy.com/listing/91919940/jels-nordic-bronze-age-handmade-leather?ref=pr_shop)

Do you like them? Would you have a go at making them yourself? Perhaps you've already done it?